{"id":156,"date":"2024-10-23T02:46:56","date_gmt":"2024-10-23T02:46:56","guid":{"rendered":"http:\/\/ump.d59.mytemp.website\/?page_id=156"},"modified":"2024-10-23T20:31:10","modified_gmt":"2024-10-23T20:31:10","slug":"mayra-rojo","status":"publish","type":"page","link":"https:\/\/figurasdeldiscurso.org\/index.php\/investigadores\/mayra-rojo\/","title":{"rendered":"Mayra Rojo"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Text &#038; Image&#8221; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;RGBA(255,255,255,0)&#8221; use_background_color_gradient=&#8221;on&#8221; background_color_gradient_direction=&#8221;90deg&#8221; background_color_gradient_stops=&#8221;rgba(255,255,255,0) 34%|#000000 34%|rgba(40,3,0,0.39) 97%&#8221; animation_style=&#8221;zoom&#8221; motion_trigger_start=&#8221;top&#8221; background_last_edited=&#8221;on|tablet&#8221; background_color_gradient_direction_tablet=&#8221;180deg&#8221; locked=&#8221;off&#8221; collapsed=&#8221;on&#8221; global_colors_info=&#8221;{%22gcid-36fd78a7-34bc-404d-873c-dafa34efaae5%22:%91%22background_color_gradient_stops%22%93,%22#03045e%22:%91%22background_color_gradient_stops%22%93}&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.24.2&#8243; _module_preset=&#8221;5138c454-be54-4233-bd3b-f8e6a8747976&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;73121f80-a3ef-4484-8763-c3f18e3c56d2&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/figurasdeldiscurso.org\/wp-content\/uploads\/2024\/10\/mayrarojo.jpg&#8221; title_text=&#8221;mayrarojo&#8221; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;1cc6152f-565c-4c4d-b0c9-cf8c9576c341&#8243; border_radii=&#8221;on|6px|6px|6px|6px&#8221; box_shadow_style=&#8221;preset3&#8243; box_shadow_vertical=&#8221;40px&#8221; box_shadow_blur=&#8221;112px&#8221; box_shadow_spread=&#8221;-24px&#8221; box_shadow_color=&#8221;rgba(0,0,0,0.12)&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;73121f80-a3ef-4484-8763-c3f18e3c56d2&#8243; custom_padding=&#8221;8%||8%||true|false&#8221; custom_padding_tablet=&#8221;0%||0%||true|false&#8221; custom_padding_phone=&#8221;0%||0%||true|false&#8221; custom_padding_last_edited=&#8221;on|desktop&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_heading title=&#8221;Perfil de investigaci\u00f3n&#8221; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;f0c675ea-2574-4d0e-b725-30f8550a8550&#8243; title_level=&#8221;h4&#8243; title_font=&#8221;Proza Libre|Cormorant Garamond_weight||on|||||&#8221; title_text_color=&#8221;#FFFFFF&#8221; title_font_size=&#8221;14px&#8221; title_letter_spacing=&#8221;1px&#8221; title_line_height=&#8221;1.4em&#8221; custom_margin=&#8221;||10px||false|false&#8221; title_font_size_tablet=&#8221;13px&#8221; title_font_size_phone=&#8221;13px&#8221; title_font_size_last_edited=&#8221;on|desktop&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_heading][et_pb_heading title=&#8221;Dra. 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Su producci\u00f3n art\u00edstica y de dise\u00f1o se centran en la experimentaci\u00f3n y cr\u00edtica del bioarte.<\/p>\n<p>[\/et_pb_text][et_pb_button button_url=&#8221;https:\/\/www.mayrarojo.com\/&#8221; button_text=&#8221;Visitar sitio web&#8221; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; custom_button=&#8221;on&#8221; button_text_size=&#8221;18px&#8221; button_text_color=&#8221;#FFFFFF&#8221; transform_scale=&#8221;92%|92%&#8221; animation_style=&#8221;flip&#8221; box_shadow_style=&#8221;preset2&#8243; box_shadow_horizontal=&#8221;11px&#8221; box_shadow_blur=&#8221;7px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_3,2_3&#8243; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; min_height=&#8221;375px&#8221; custom_margin=&#8221;|auto|59px|auto||&#8221; animation_style=&#8221;slide&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; header_font=&#8221;&#8211;et_global_heading_font||||||||&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1 style=\"text-align: left;\">SEMBLANZA<\/h1>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;2_3&#8243; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text quote_border_color=&#8221;#0077b6&#8243; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Proza Libre|Proza Libre_weight|||||||&#8221; text_text_color=&#8221;rgba(0,0,0,0.64)&#8221; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;1.75em&#8221; link_font=&#8221;|Proza Libre_weight|||||||&#8221; link_text_color=&#8221;#03045e&#8221; quote_font=&#8221;Cormorant Garamond|Cormorant Garamond_weight|||||||&#8221; quote_text_color=&#8221;#111111&#8243; header_font=&#8221;Cormorant Garamond|Cormorant Garamond_weight|||||||&#8221; header_text_color=&#8221;#111111&#8243; header_font_size=&#8221;72px&#8221; header_line_height=&#8221;1.15em&#8221; header_2_font=&#8221;Cormorant Garamond|Cormorant Garamond_weight|||||||&#8221; header_2_text_color=&#8221;#111111&#8243; header_2_font_size=&#8221;50px&#8221; header_2_line_height=&#8221;1.2em&#8221; header_3_font=&#8221;Cormorant Garamond|Cormorant Garamond_weight|||||||&#8221; header_3_text_color=&#8221;#111111&#8243; header_3_font_size=&#8221;32px&#8221; header_3_line_height=&#8221;1.3em&#8221; header_4_font=&#8221;Cormorant Garamond|Cormorant Garamond_weight|||||||&#8221; header_4_text_color=&#8221;#111111&#8243; header_4_font_size=&#8221;24px&#8221; header_4_line_height=&#8221;1.4em&#8221; header_5_font=&#8221;Cormorant Garamond|Cormorant Garamond_weight|||||||&#8221; header_5_text_color=&#8221;#111111&#8243; header_5_font_size=&#8221;18px&#8221; header_5_line_height=&#8221;1.4em&#8221; header_6_font=&#8221;Cormorant Garamond|Cormorant Garamond_weight|||||||&#8221; header_6_text_color=&#8221;#111111&#8243; header_6_line_height=&#8221;1.5em&#8221; min_height=&#8221;345px&#8221; height=&#8221;361px&#8221; custom_margin=&#8221;||-115px||false|false&#8221; text_font_size_tablet=&#8221;15px&#8221; text_font_size_phone=&#8221;14px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; header_font_size_tablet=&#8221;40px&#8221; header_font_size_phone=&#8221;24px&#8221; header_font_size_last_edited=&#8221;on|desktop&#8221; header_2_font_size_tablet=&#8221;28px&#8221; header_2_font_size_phone=&#8221;20px&#8221; header_2_font_size_last_edited=&#8221;on|phone&#8221; header_3_font_size_tablet=&#8221;22px&#8221; header_3_font_size_phone=&#8221;17px&#8221; header_3_font_size_last_edited=&#8221;on|phone&#8221; header_4_font_size_tablet=&#8221;18px&#8221; header_4_font_size_phone=&#8221;15px&#8221; header_4_font_size_last_edited=&#8221;on|tablet&#8221; header_5_font_size_tablet=&#8221;15px&#8221; header_5_font_size_phone=&#8221;14px&#8221; header_5_font_size_last_edited=&#8221;on|desktop&#8221; header_6_font_size_tablet=&#8221;13px&#8221; header_6_font_size_phone=&#8221;13px&#8221; header_6_font_size_last_edited=&#8221;on|desktop&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; text-align: left;\">Artista e investigadora interdisciplinar en artes visuales, discursos del cuerpo y <\/span><span style=\"font-size: 16px; text-align: left;\">bioprocesos. Su producci\u00f3n art\u00edstica y te\u00f3rica se centra en la experimentaci\u00f3n y <\/span><span style=\"font-size: 16px; text-align: left;\">cr\u00edtica de las relaciones ciencias y artes, ha publicado y expuesto individual y colectivamente en Alemania, Suiza, Grecia, Portugal, Brasil, M\u00e9xico y Suecia.\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\">Dra. en Historia del Arte, desarroll\u00f3 una investigaci\u00f3n posdoctoral sobre biomateriales en el \u00e1rea de bioprocesos y ciencias del dise\u00f1o en la UAM Cuajimalpa (2017). Candidata a investigador en el Sistema Nacional de Investigadores e Investigadoras (2024), investigadora posdoctoral en Estudios Culturales y Cr\u00edtica Poscolonial en la UAM Xochimilco (2022-2025). Su reciente enfoque de investigaci\u00f3n es el debate sobre el lenguaje como organismo vivo y biotecnolog\u00eda corporal que incluye reflexiones sobre el pensamiento tojol-ab\u2019al, la lengua \u00f1\u00e4h\u00f1uh y las relaciones interespecies.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_3,2_3&#8243; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; min_height=&#8221;314px&#8221; animation_style=&#8221;slide&#8221; global_colors_info=&#8221;{}&#8221; custom_padding=&#8221;||0px|||&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; header_font=&#8221;&#8211;et_global_heading_font||||||||&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3 class=\"et_pb_module_heading et-fb-editable-element et-fb-editable-element__editing\" data-shortcode-id=\"2.1.0.0-1729705686629\" data-quickaccess-id=\"title\" contenteditable=\"true\">PRODUCCI\u00d3N ACAD\u00c9MICA<\/h3>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;2_3&#8243; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_toggle title=&#8221;Exposiciones y publicaciones visuales:&#8221; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||4px|||&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2024, Artista invitada en \u201cFanzine 0: Manifiesta territorios\u201d, Frida Rocha-Flores y Nuria Flores-Abreu, (Agosto)\u00a0\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2024, \u201cMaking Worlds\u201d, Muestra colectiva, K\u00fcnstlerdorf Gallery, M\u00fcnsterland, (Julio)<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2023, \u201cPoetics of death\u201d, K\u00fcnstlerdorf Gallery, M\u00fcnsterland, (Diciembre)<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2023, \u201cVital Documents\u201d: Geography of plants, M\u00fcnsterland, (Octubre)\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2023, Artista invitada a la revista Casa del Tiempo, febrero-marzo. <\/span><a href=\"https:\/\/casadeltiempo.uam.mx\/index.php\/22-ct-vi-7\/359-ct-vi-7-florilegia-misterios-abominables-mayra-rojo\"><span style=\"font-weight: 400;\">https:\/\/casadeltiempo.uam.mx\/index.php\/22-ct-vi-7\/359-ct-vi-7-florilegia-misterios-abominables-mayra-rojo<\/span><\/a><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2023-2022, \u201cFlorilegia: Misterios abominables\u201d, Casa de la Primera Imprenta, M\u00e9xico.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2022,\u201cSue\u00f1a Sof\u00eda\u201d, Video-animaci\u00f3n, Trabajo colaborativo con Orquesta 24 cuadros,\u00a0 <\/span><a href=\"https:\/\/www.youtube.com\/watch?v=rZeS5tgy5To\"><span style=\"font-weight: 400;\">https:\/\/www.youtube.com\/watch?v=rZeS5tgy5To<\/span><\/a><span style=\"font-weight: 400;\">\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2021, \u201cRemote\u201d, Biofriction Radio, podcast, Barcelona <\/span><a href=\"https:\/\/biofriction.org\/biofriction\/2071\/\"><span style=\"font-weight: 400;\">https:\/\/biofriction.org\/biofriction\/2071\/<\/span><\/a><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2021, \u201cBiofriction\u201d Exhibition, Ectopia Experimental Art Laboratory, Portugal <\/span><a href=\"https:\/\/biofriction.org\/biofriction\/biofriction-exhibition\/\"><span style=\"font-weight: 400;\">https:\/\/biofriction.org\/biofriction\/biofriction-exhibition\/<\/span><\/a><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2021, Sunpoetry Film Festival, M\u00e9xico.\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2021, \u201cDiary: Companion Plants\u201d (Videoperformance), Universitat Oberta de Catalunya.\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2020, Festival Contin\u00fao Latinoamericano de Performance, AL Online.\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2020, Interdisciplinary Conference Taboo-Transgression-Transcendence in Art and Science (University of Applied Arts Vienna.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2020, \u201cOfelia\u2019s Death\u201d, Vevey-Suiza.\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2020, Artista invitada en Fanzine Feminista Labio Asesino, Andaluc\u00eda. <\/span><a href=\"https:\/\/amanecemetropolis.net\/sanadoras-historia-colectiva-de-mujeres-en-resistencia\/\"><span style=\"font-weight: 400;\">https:\/\/amanecemetropolis.net\/sanadoras-historia-colectiva-de-mujeres-en-resistencia\/<\/span><\/a><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2020, \u201cAtlas de anatom\u00eda bot\u00e1nica\u201d, Artista invitada en la Revista Este Pa\u00eds, M\u00e9xico. <\/span><a href=\"https:\/\/estepais.com\/galeria\/mayra-rojo-g\/\"><span style=\"font-weight: 400;\">https:\/\/estepais.com\/galeria\/mayra-rojo-g\/<\/span><\/a><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2020, Performance collaboration on the \u201cBigData&#8221; electronic poem by Diego Bonilla and Rodolfo Mata. <\/span><a href=\"https:\/\/www.bioelectricdot.net\/bigdataespanol\"><span style=\"font-weight: 400;\">https:\/\/www.bioelectricdot.net\/bigdataespanol<\/span><\/a><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2019, \u201cAtlas of anatomy-botanic\u201d, Montreux, Suiza. <\/span><a href=\"https:\/\/www.air-montreux.ch\/artists\/mayra-rojo\/\"><span style=\"font-weight: 400;\">https:\/\/www.air-montreux.ch\/artists\/mayra-rojo\/<\/span><\/a><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2019, Artista invitada en la Revista Intempestiva, Brasil-Portugal. <\/span><a href=\"https:\/\/editoraurutau.com\/revistas\/revista_intempestiva\"><span style=\"font-weight: 400;\">https:\/\/editoraurutau.com\/revistas\/revista_intempestiva<\/span><\/a><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2019, Feria de Arte de Montreux, Suiza.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2017, \u201cSem Censura\u201d, Brasil.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2016, \u201cPulque para dos\u201d<\/span><i><span style=\"font-weight: 400;\">, i<\/span><\/i><span style=\"font-weight: 400;\">nvestigaci\u00f3n, idea original, gui\u00f3n y producci\u00f3n documental, M\u00e9xico. <\/span><a href=\"http:\/\/www.revistarazonypalabra.org\/index.php\/ryp\/article\/view\/740\"><span style=\"font-weight: 400;\">http:\/\/www.revistarazonypalabra.org\/index.php\/ryp\/article\/view\/740<\/span><\/a><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2014, \u201cFlores del viento\u201d, Festival Dan\u00e7a em foco, Video-Danza, R\u00edo de Janeiro.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2014, Material audiovisual para la exposici\u00f3n Mar\u00eda F\u00e9lix: La diva a trav\u00e9s de la mirada de H\u00e9ctor Garc\u00eda. (Cineteca y Festival de Biarritz. <\/span><a href=\"https:\/\/www.cinetecanacional.net\/noticiaPrensa.php?accion=nota&amp;id=458#gsc.tab=0\"><span style=\"font-weight: 400;\">https:\/\/www.cinetecanacional.net\/noticiaPrensa.php?accion=nota&amp;id=458#gsc.tab=0<\/span><\/a><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2010, Seleccionada en el XXX Encuentro Nacional de Arte Joven, M\u00e9xico.<\/span><\/li>\n<\/ul>\n<p>[\/et_pb_toggle][et_pb_toggle title=&#8221;Publicaciones en libros&#8221; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||2px|||&#8221; border_width_top=&#8221;4px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2018, \u201cCosiendo para otros\u201d en Textiles. Tejiendo historias entre la Ciudad de M\u00e9xico y Berl\u00edn, RONDA MX-BLN. <\/span><a href=\"https:\/\/issuu.com\/rondamx_berlin\/docs\/manual2_esp_web_versionfinal\"><span style=\"font-weight: 400;\">https:\/\/issuu.com\/rondamx_berlin\/docs\/manual2_esp_web_versionfinal<\/span><\/a><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2018, \u00bfQu\u00e9 $%\/#@ es originalidad?, Colecci\u00f3n Asuntos del Arte, #2, M\u00e9xico: Ediciones Manivela. ISBN: 978-607-96726-7-6\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2017, \u201c\u00bfCaminamos hacia una curadur\u00eda colectiva?\u201d en Cat\u00e1logo del Programa Traslado. Artes de la Visualidad en Chile, Santiago: CNCA. ISBN: 978-956-352-248-8.\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2013, \u201cLennon y los ochenta en M\u00e9xico\u201d en John Lennon. Un humanista subversivo, Coord. Elvira Concheiro, Carlos Flores y Julio Mu\u00f1oz Rubio, M\u00e9xico: UNAM. ISBN: 978-607-02-4299-1.\u00a0<\/span><\/li>\n<\/ul>\n<p>[\/et_pb_toggle][et_pb_toggle title=&#8221;Publicaciones cient\u00edficas&#8221; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||25px|||&#8221; border_width_top=&#8221;4px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2022 <\/span><b>Notes for a Manifesto: Singular creatures\/grafts and soil<\/b><span style=\"font-weight: 400;\">. Technoetic Arts: A Journal of Speculative Research, Ionian University, (Greece) <\/span><a href=\"https:\/\/intellectdiscover.com\/content\/journals\/10.1386\/tear_00030_1\"><span style=\"font-weight: 400;\">https:\/\/intellectdiscover.com\/content\/journals\/10.1386\/tear_00030_1<\/span><\/a><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2021 <\/span><b>Imaginations of the evolution of bodies: Notes on the relationships between plants and humans <\/b><span style=\"font-weight: 400;\">en Artnodes Journal on Art, Science and Technology, <\/span><a href=\"https:\/\/raco.cat\/index.php\/Artnodes\/article\/view\/373929\"><span style=\"font-weight: 400;\">https:\/\/raco.cat\/index.php\/Artnodes\/article\/view\/373929<\/span><\/a><span style=\"font-weight: 400;\">\u00a0\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2021 <\/span><b>Non\/Living Queerings, Undoing Certainties, and Braiding Vulnerabilities: A Collective Reflection <\/b><span style=\"font-weight: 400;\">en<\/span> <span style=\"font-weight: 400;\">Artnodes Journal on Art, Science and Technology, <\/span><a href=\"https:\/\/www.raco.cat\/index.php\/Artnodes\/article\/view\/374989\"><span style=\"font-weight: 400;\">https:\/\/www.raco.cat\/index.php\/Artnodes\/article\/view\/374989<\/span><\/a><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2020 <\/span><b>El retorno del monstruo: poder subversivo <\/b><span style=\"font-weight: 400;\">en Exotop\u00edas 1, http:\/\/ <\/span><a href=\"http:\/\/revistaexotopias.cenart.gob.mx\/index.php\/exotopias\/article\/view\/9\"><span style=\"font-weight: 400;\">revistaexotopias.cenart.gob.mx\/index.php\/exotopias\/article\/view\/9<\/span><\/a><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2019 <\/span><b>Zombi, Zumbi, Zombie: the sound of multitude <\/b><span style=\"font-weight: 400;\">en Utop\u00eda 3, https:\/\/ <\/span><a href=\"http:\/\/exitmedia.net\/EXIT\/es\/utopia\/238-utopia-3-desplazamientos.html\"><span style=\"font-weight: 400;\">exitmedia.net\/EXIT\/es\/utopia\/238-utopia-3-desplazamientos.html<\/span><\/a><\/li>\n<\/ul>\n<p>[\/et_pb_toggle][et_pb_toggle title=&#8221;Publicaciones de opini\u00f3n&#8221; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;-23px|||||&#8221; border_width_top=&#8221;4px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2023 <\/span><b>Apuntes a cuatro manos y alguien que no se escucha,<\/b><span style=\"font-weight: 400;\"> texto realizado con Emanuela Borzacchiello, Revista Casa del Tiempo, UAM.\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2020 <\/span><b>Gu\u00eda bio\u00e9tica: el debate sobre a qui\u00e9n salvar<\/b><span style=\"font-weight: 400;\"> en El Salto Diario <\/span><a href=\"https:\/\/www.elsaltodiario.com\/mapas\/sobre-guia-bioetica-mexico-danos-colaterales-pandemia\"><span style=\"font-weight: 400;\">https:\/\/www.elsaltodiario.com\/mapas\/sobre-guia-bioetica-mexico-danos-colaterales-pandemia<\/span><\/a><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2019 <\/span><b>Intercomunicaci\u00f3n y el zumbido de la historia que se repite: la neodictadura en Chile,<\/b><span style=\"font-weight: 400;\"> Animal pol\u00edtico en <\/span><a href=\"https:\/\/www.animalpolitico.com\/blog-invitado\/dicen-que-vienen-subiendo-milicos-y-marinos\/\"><span style=\"font-weight: 400;\">https:\/\/www.animalpolitico.com\/blog-invitado\/dicen-que-vienen-subiendo-milicos-y-marinos\/<\/span><\/a><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2018 <\/span><b>El carrito de ch\u00e1charas (El box en el Cine mexicano y mujeres contempor\u00e1neas), <\/b><span style=\"font-weight: 400;\">en Revista Amazonas (Traducci\u00f3n al portugu\u00e9s) en <\/span><a href=\"https:\/\/www.revistaamazonas.com\/2018\/09\/04\/el-carrito-de-chacharas\/#ancla1\"><span style=\"font-weight: 400;\">https:\/\/www.revistaamazonas.com\/2018\/09\/04\/el-carrito-de-chacharas\/#ancla1<\/span><\/a><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2018 <\/span><b>No soy una bruja (acusaci\u00f3n por brujer\u00eda y esclavitud de ni\u00f1as y mujeres en Zambia), <\/b><span style=\"font-weight: 400;\">Revista Ic\u00f3nica en <\/span><a href=\"http:\/\/revistaiconica.com\/no-soy-una-bruja\/\"><span style=\"font-weight: 400;\">http:\/\/revistaiconica.com\/no-soy-una-bruja\/<\/span><\/a><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2018 <\/span><b>Los profesores de asignatura no somos trabajadores voluntarios (Sistema de contrataciones por asignatura y censura del cuerpo en la Universidad Iberoamericana)<\/b><span style=\"font-weight: 400;\">, Animal pol\u00edtico en <\/span><a href=\"https:\/\/www.animalpolitico.com\/blogueros-blog-invitado\/2018\/07\/16\/los-profesores-de-asignatura-no-somos-trabajadores-voluntarios\/\"><span style=\"font-weight: 400;\">https:\/\/www.animalpolitico.com\/blogueros-blog-invitado\/2018\/07\/16\/los-profesores-de-asignatura-no-somos-trabajadores-voluntarios\/<\/span><\/a><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2017-2018 <\/span><b>Columna sobre cine y pol\u00edtica,<\/b><span style=\"font-weight: 400;\"> We\u00b4re Magazine: \u00edndice en <\/span><a href=\"http:\/\/weremag.com\/author\/mayrarojo\/\"><span style=\"font-weight: 400;\">http:\/\/weremag.com\/author\/mayrarojo\/<\/span><\/a><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2016-2017 <\/span><b>Columna m\u00fasica, mujeres y cine documental,<\/b><span style=\"font-weight: 400;\"> Bizarro.FM: \u00edndice en <\/span><a href=\"https:\/\/bizarro.fm\/author\/mayra\/\"><span style=\"font-weight: 400;\">https:\/\/bizarro.fm\/author\/mayra\/<\/span><\/a><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">2013 <\/span><b>El fondo fotogr\u00e1fico de cine de la Fundaci\u00f3n y Archivo H\u00e9ctor y Mar\u00eda Garc\u00eda: Miradas descubiertas,<\/b><span style=\"font-weight: 400;\"> Cine Toma, Revista Mexicana de Cinematograf\u00eda, N\u00fam. 30, Septiembre-Octubre\u00a0 <\/span><a href=\"https:\/\/issuu.com\/erosvisual\/docs\/cine_toma_30ch_copia\"><span style=\"font-weight: 400;\">https:\/\/issuu.com\/erosvisual\/docs\/cine_toma_30ch_copia<\/span><\/a><\/li>\n<\/ul>\n<p>[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; 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